The Pyongyang Times
June 15, 2017
Publication: Mark Pezinger Verlag
Co-curator with Sandino Scheidegger
A manipulated and reproduced issue of the state-owned and hard to get Pyongyang Times serves as the official exhibition catalogue of All the Lights We Cannot See – an exhibition that took place in North Korea, virtually unnoticed by the general public. It will be launched on June 15 at the I Never Read Art Book Fair in Basel.
This special edition is strictly limited to 100 unique numbered copies and can be ordered from Mark Pezinger Verlag.
Though Pyongyang is the capital city and heart of North Korea, to the outside world it is the epicenter of the unknown. It is surprising then that nine international artists were recently invited by Switzerland's Random Institute to exhibit in Pyongyang.
The resulting group exhibition was organized around the theme of silence, a concept that resonated with the isolated nature of the show’s host country. Additionally, the immediate inaccessibility of this exhibition reflects the widespread, present-day condition of “consuming” art remotely, often online and via secondary media.
In keeping with the theme of silence, only one significant trace of documentation (other than select installation views) was allowed to publicly surface: an enigmatic mention on each of the nine artists’ CVs. This unusual addition to the artists’ resumes points to another concerning phenomenon of our time: the increasingly CV-driven art world. Furthering the theme, while also feeding global curiosity about the hermit kingdom, the artists’ only response to requests to elaborate on their exhibition and experience are and will remain simply:“I’m not supposed to talk about it.”
The special edition catalogue is strictly limited to 100 unique numbered copies and can be ordered from Mark Pezinger Verlag. The official launch takes place on June 15 at the I Never Read Art Book Fair in Basel, Switzerland.
The exhibition All the Lights We Cannot See, which was virtually unnoticed by the general public, was held April 9 – 12, 2016 in Pyongyang, North Korea. It was curated by Anna Hugo and Sandino Scheidegger.
Image Courtesy: Sandino Scheidegger, 2015